My Projects

Graphic Recruitment Poster

A high-impact recruitment advertisement featuring a sleek, icy aesthetic. Utilizes character-focused composition and dynamic typography to attract competitive talent.

3D Render

A photorealistic interior architectural visualization. Created in 3DS MAX, this piece focuses on soft ambient lighting, realistic texture mapping, and a modern, minimalist color palette.

Graphic Recruitment Poster #2

A vibrant, purple-toned gaming recruitment graphic. This design balances character art with clean "LF" (Looking For) messaging, designed for high visibility on social media.

Graphic Partnership Poster

A professional partnership announcement featuring elegant script typography and a soft, neon glow. This piece demonstrates a clean, corporate-meets-gaming brand identity.

Jennie Kim Fan Art

A bold, two-tone "zine-style" digital poster. Features hand-drawn elements and a gritty, high-contrast aesthetic that merges pop culture with underground punk influences.

Hev Abi Fan Art

A nostalgic, lo-fi aesthetic poster using halftone patterns and a monochromatic purple tint. Combines typography and photo manipulation to create a vintage streetwear vibe.

Model Poster

Stylized multi-shot photo collage featuring a mix of candid and posed portraits.

Tournament Poster

A Valorant tournament poster designed in Adobe Photoshop, created to capture the intensity and competitive spirit of the esports scene.

Streamer Poster

Live stream graphic for W1NTER, designed in Adobe Illustrator with 3D effects to create an icy winter-themed visual..

Valorant Motion Graphics

The motion graphics intro is inspired by VALORANT and is intended for esports content, such as team roster reveals and player intros. The intro is created in Adobe After Effects and focuses on typography, composition, and fast transitions to represent the high energy and intensity of the gameplay.

Spotify Kalye Ad

Motion graphics created in Adobe After Effects, inspired by the energy and culture of street music and everyday listening.